Louise Marley

I often joke that there are only two jobs I haven't done, and one of those is waiting tables. I began my working life at the age of 13, stacking hay bales on a Montana ranch, and since then I've worked as a cowgirl, as a nurse, as a folksinger, as an elementary school music teacher, as a concert and opera singer, a college music professor, and now as a writer and teacher of science fiction and fantasy. I knew from a very early age--5--that I wanted to be an entertainer, and I find very little difference between singing and writing. It's all about story, and characters, and communication.

Writing novels is very much like acting. The writer convinces the reader that what we all know is unreal can be accepted as real, at least for the moment. The place, the people, and the plot all spring from that magical source, the conjurer's imagination, an alchemy of word, gesture, setting, and plot. If the actor--or the writer--can entice the audience to join them on their creative journey, story happens.

My first novel was published, to my surprised delight, in 1995, and since then I've been publishing steadily, sometimes against the odds. The Terrorists of Irustan represents my passion for feminist social science fiction, and The Glass Harmonica my love of music, as with the Nevya novels. The Child Goddess speaks to both my love of children and concern for those who are abused or abandoned, and to my fascination with religious life. Airs Beneath the Moon, which is the first of three Toby Bishop novels, sets out in a different direction, which my editor and I hope will be signalled to readers by the pseudonym, but the undercurrent of feminism still flows there. There is no music, but there are horses and dogs and a faintly operatic sense of drama that is consistent with my other work. I think, no matter how varied our experiences, we writers express our world view in whatever stories we undertake.

I'm fortunate to live in the Pacific Northwest, with my husband and son and Scottish Terrier, where there is an abundance of resources for writers. Clarion West was pivotal in my development as a writer, and there is a whole host of people here who support and encourage each other--Greg Bear, Vonda McIntyre, Robin Hobb, Kay Kenyon, Richard Paul Russo, Brenda Cooper . . . too many to list them all. The community is terrific, and I suspect Austin has the same advantage.